Saturday, April 23, 2011

Drexciya Interviews Still Online

I went looking to see which of the original online interviews with James Stinson are still available to read and thanks to fans and improved archiving I found they all are! In no order, the first is with Andrew Duke in December 1999, I’m not sure what website he was writing for originally but it’s currently hosted on his own website; second is by Tim Pratt for Detroit Free Times in September 2002; third was by Derek Beere for FutureBPM in June 2002 and finally John Osselaer for TechnoTourist in February 2002. If these links don't work, copy and paste the address it's trying to load into the WaybackMachine.

Some print edition interviews with him can also be read online now too. Melody Maker’s 1995 interview has been transcribed and archived; a short interview from Muzik in 1995 can be read here, a 1995 Q&A from the Dutch zine, Surreal Sound, the Tim Barr interview for Muzik in 1997, The Richard Brophy interview for Clubbing Dot Com in 2002 can be read here, the 2000 and 2002 De:Bug interviews with James Stinson can be read here, the Drexciya sections of the 1999 Straight No Chaser article about UR can be read here and lastly Nick Phillips for Groovesmag in 2001 can as well. These were more or less the interviews I cut up into sections and collected as one of the very first posts on DRL, Drexciya Speaks. There was also a very short Q&A with Stinson in Energy Flash zine from 1996.

Of course the most heard interview James Stinson did must be his appearance on Liz Copeland's show on Detroit Radio in 2002. You can also hear the audio of Andrew Dukes' interview with him here. Most of these interviews have been compiled in the Drexciya Speaks post. It should go without saying that if you do have any other interviews I would appreciate the info. There may be another one by Tim Barr in 1994 out there somewhere, Dan Sicko in early 90s and one from 1999 by Richard Brophy for the online zine Etronik.

Internet Archive was very useful in finding some of this stuff and it has also managed to save Stinson's own primitive Drexciya website from 2002, Ride Dimensional Waves, worth a look.

James Stinson Appreciation

One of you just sent me some very useful links which thanks to the WaybackMachine at Internet Archive I can now share again with you all. This moving appreciation was written by Tamara Warren about James Stinson for Detroit Free Press. They also ran a second smaller piece of quotes from associates which I’ve included as well. I think it’s good to archive this stuff when it surfaces and to remember as well, almost 10 years now. I also noticed that at the time the family suggested donations to the American Heart Association and I have now included their link permanetly in the side bar.

James Stinson: Stealthy artist invigorated techno
September 13, 2002

James Marcel Stinson was an intensely private figure in the Detroit techno scene, but he was revered by electronic music fans in his hometown and around the world for his musical foresight and vivid imagination -- though most of them didn't even know who he was.
Mr. Stinson, 32, who grew up on Detroit's east side and graduated from Kettering in 1989, died Sept. 3 of heart complications in Newnan, Georgia, where he had moved earlier this year. He would have turned 33 Saturday.
Drexciya, the group he belonged to, was so secretive, its records didn't reveal the names of its players. Its members gave only a handful of interviews over a 10-year career, and even Mr. Stinson's mother didn't know how well-received his work was.
Nonetheless, the group's aquatic-themed music -- which featured lush, analog synthesizers offset by cold, crisp beats and metallic textures -- was hailed in techno circles for its experimental vision. It also was credited with helping initiate the current revival of an electronic subgenre known as electro.
By day, Mr. Stinson was a truck driver and the father of seven children. His mother, Helen Stinson, knew that he made music in her basement for many years but Stinson downplayed his success. "There's so many people telling me things about my child," Helen Stinson said. "You had to pull his teeth to find out what was going on. That's how he was. When he wanted you to know, you found out."
Mike Banks, one of Detroit's best-known electronic music producers, said Mr. Stinson was a close friend, and that his love of electro was inspirational.
"Now there's a whole resurgence of electro, and he was the life force of it," said Banks, who heads the label Underground Resistance, for which Drexciya recorded much of its work. "He had a fascination with the ocean, and aquatic things, and African-American history and the voyage African people had to make. He was fascinated with the strength and endurance you have to have to make a voyage."
Banks said Mr. Stinson's best feature was "that 'good enough' wasn't enough. He always pushed the envelope. Even at UR, where pushing the envelope is the norm, he pushed it harder than any artist on the label. He would expect us to keep living on the edge."
Detroit-based producer Dennis Richardson was affiliated with Drexciya, and said Mr. Stinson was "ultra low-key." "You see him on the street, he's an everyday guy," Richardson said. "You get him in the music studio and he's a maestro."
In addition to his mother, survivors include his father, James Allen Stinson; wife, Andrea Clementson Stinson; children, Chantell, Martiz, Bobbie IV, James Jr., Bobbie V, Kayanne and Kannada, and a brother.

A memorial service will be held at 3 p.m. Saturday at the James H. Cole Funeral Home, 2624 W. Grand Blvd., Detroit.

Reaction to the passing of James Stinson
September 13, 2002

"I just want to say that James was the epitome of 'being yourself.' He was an amazingly talented producer. But he was just as amazing as a regular person who loved what he loved and not what people thought he should." Eric Dulan, (a.k.a. DJ Bone)

"He is one of my brothers, a really good guy who was also very close to the underground. James will always have a special place in my heart. He was always keeping it real. He's definitely going to be missed." Mike Clark (a.k.a. Agent X)

"James came into our camp and was really high on electro. He liked some of my electro and gave me the mind to release 'Final Frontier.' Based on 'Final Frontier's' success, we saw that electro wasn't dead at all, not in the city or abroad." Mike Banks of Underground Resistance

The family suggests donations to the American Heart Association