Heinrich Mueller - False Vacuum Vol. 2

WeMe Records have announced a second collection of Heinrich Mueller remixes/remodels False Vacuum Vol. 2. This time they have selected thirteen of these rare tracks, three of which will be on vinyl for the first time. It will be available from 17th September. You can pre-order a 2LP turquoise coloured vinyl now from WeMe only.

It is also available now to pre-order on regular black 2LP from places like Clone and Juno. It's really great to see a second volume of these being made available and it's something I've been keen to see happen for a long time. To help out I nominated some of the remixes and wrote the promo text as well (below). You can listen to samples of all the tracks at the link above. I've updated the Heinrich Mueller remix/remodel list at this link too, so you can see what is still uncollected on these compilations (ripe for volume 3).

'Its been five years since Belgium’s WeMe Records lovingly selected the first ever collection of Heinrich Mueller’s (Drexciya/Doppleffekt) best remixes/remodels for a new generation of listeners that won’t have to pay collector prices to have them on vinyl. Volume 2 of False Vacuum is now with us and still has riches to choose from. These 13 rare and hard to find tracks (3 of which make their vinyl debut) all deliver in different ways as he systematically reinvents each one.

Beginning with his raw and now classic remix of Ultradyne’s ‘Clones’, the hard-edged dance-floor friendly ‘Woman’s Scent’ by Cisco Ferreira (The Advent), the more laidback and futuristic sounding ‘Bohrium 274’ by Jauzas the Shining and Victoria Lukas, the slow and mysterious and first time on vinyl ‘Somehow’ by Rough Days For Diamond Trade, reinventing the darkest of dance-floors on ‘Rytumtraks 0002’ by Albert van Abbe, the moody masterpiece and first time on vinyl ‘Now We Continue’ by White Car, Duplex’s ‘Autoslug’ sounding like its been rearranged inside a black-hole, a balancing act between the light and darkness on Fasenuova ‘Cachito Turulo’, an insistent rise and falling workout for As One’s ‘Where Did He Go and Why’, a tightly wound and almost meditative ‘The Truth’ by The Exaltics, an angular stomping march of the robots ‘Longwang’ by 6D22, a jumpy fidgety groove for first time on vinyl ‘Forty Eight Hours’ by Yan Wagner and perhaps one of his most sublime pieces is kept for last with ‘So Long For A Small Storm’ by Dollska.'